Vessel

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Vessel

VesselVesselVessel
  • Home
  • About
  • Site Specific
  • Devised
  • Installation
  • Press/Contact

About Vessel

Mission Statement

Founded in 1996, Vessel is a not-for-profit ensemble-based theatre company dedicated to exploring innovative intersections between devising, physical theatre, immersive theatre, public art, installation, dance, visual arts, and multi-media technology. 

VESSEL history

ABOUT

Founded in 1996 by Rachel Bowditch in New York City, Vessel is a theatre company devoted to creating performance as living poetry—where physical theatre, public art, dance, installation, and multimedia converge. Based in Phoenix, Arizona, Vessel gathers a constellation of performers, dancers, playwrights, poets, musicians, and designers to craft works that dissolve boundaries between forms, inviting audiences into intimate, transformative encounters. Vessel’s performances turn streets, bridges, galleries, and theatres into sites of wonder, where space itself becomes collaborator. For three decades, Vessel has collaborated with over 200 artists from around the world, presenting work at Childsplay, Mixed Blood, Northwest Children’s Theatre, the Denver Center, Mesa Arts Center, Phoenix Art Museum, IDEA Museum, and Scottsdale Public Art. Their work has been featured in The New York Times, Wall Street Journal, American Theatre, Rolling Stone, Vogue Italia, and numerous books and journals on theatre and design. Specializing in devised, site-specific, and immersive performance, Vessel confronts pressing social issues—migration, addiction, mental health, colonization, climate change—offering audiences not just a performance to watch, but an experience to enter, dwell within, and let linger afterward. Vessel creates performances that transform ordinary places into dreamscapes where audiences drift, linger, and become part of the story.


Vessel is a not-for-profit (501c3) theatre company under the fiscal umbrella of Fractured Atlas. ​www.vesselproject.org


Photo: Founding Member, Lea Bender (right) and Rachel Bowditch (left). Transfix in Central Park, 2002. Photo by Bill Durgin. 

artistic Director

Rachel Bowditch (PhD/Full Professor of Theatre in the School of Music, Dance, and Theatre in the Herberger Institute for Design and the Arts at Arizona State University): Rachel has been creating original devised, site-specific work for over three decades. She has presented her artistic and scholarly work nationally and internationally (Singapore, Buenos Aires, Argentina,  Bogota, Columbia, Santiago, Chile, Berlin, Germany, London, Haikou, China, Mexico City, Montreal, Canada, and Barcelona, Spain), She is one of the seven core Rasaboxes teachers. In 2018, she was a Fellow at the Harvard Mellon Institute for Performance Research in “Public Humanities,” and was featured as one of the “Top 100 Creatives,” by Origins Magazine in 2015. 

She spent the first 18 years of her life growing up internationally--Rome, Italy; Addis Ababa, Ethiopia; Jakarta, Indonesia, Singapore, Tel Aviv, Israel, London, and Paris. She fundamentally believes theatre is a transformative art that has deep healing potential. She is a visual artist whose canvas is the street and the stage--painting visual, visceral poetic portraits through bodies, light, sound, media, and costumes. 

Her performance and directing work specializes in devising, site-specific, immersive, mask performance, and physical theatre, and tackles challenging social issues from suicide, addiction, madness, forced relocation, the death penalty, and colonization. Her work has been presented at theatres and venues such as Childsplay, Mixed Blood, Northwest Children's Theatre, the Denver Center, Mesa Arts Center, Phoenix Art Museum, IDEA Museum, and Scottsdale Public Art. 

Her artistic work has been featured in The Director's Vision by Scott Shattuck and Digital Media, Projection Design, and Technology for Theatre by Alex Oliszewski and Daniel Fine (Routledge). Her work has been reviewed in the New York Times, the Wall Street Journal, Theatre Journal, Newsweek, American Theatre, The Sun (NYC), The Village Voice, Time Out New York, Live Design, Rolling Stone, Vogue Italia, U.S. Airways Magazine, Channel 12 News, Channel 8/PBS, ABC 15 News, Minneapolis Star Tribune, Minneapolis Daily Planet, Aisle Say Twin Cities, TYA Today, the Phoenix New Times and the Arizona Republic among other publications. In 2016, she spent a month in Bali studying mask carving with Nyoman Seitwan as part of the Dell'arte Bali program. 

She is a theatre director and author of four books, On the Edge of Utopia: Performance and Ritual at Burning Man (Seagull/University of Chicago Press 2010), Performing Utopia co-edited with Pegge Vissicaro (Seagull/University of Chicago Press 2018), and Physical Dramaturgy: Perspectives from the Field co-edited with Jeff Casazza and Annette Thornton (Routledge 2018), and most recently Inside the Performance Workshop: A Sourcebook for Rasaboxes and Other Exercises with Paula Murray Cole and Michele Minnick (Routledge 2023).


https://www.routledge.com/Inside-The-Performance-Workshop-A-Sourcebook-for-Rasaboxes-and-Other-Exercises/Bowditch-Cole-Minnick/p/book/9781138680029

Her scholarly work has been published in TDR (The Performance Review), Performance Research, Theatre Topics, the Journal of Media and Religion, Ecumenica, and Puppetry International as well as book chapters in Festive Devils in the Americas edited by Milla Riggio and Paolo Vignolo, Playa Dust: Collected Stories from Burning Man edited by Samantha Krukowski, and Focus on World Festivals edited by Chris Newbold. She wrote the catalogue essay for two Berlin-based artists, ROMER + ROMER (translated into German) for their Burning Man: Electric Sky exhibit in Berlin in 2019 at Haus am Lutzowplatz, where she also gave a lecture. She regularly presents both her scholarship and theatre research at theatre conferences nationally and internationally.

From 2018-2022, she held the position as the Director of Graduate Studies in the School of Music, Dance, and Theatre in the Herberger Institute for Design and the Arts at Arizona State University overseeing 8 graduate programs: MFA in Theatre for Youth, MFA in Dance, MFA in Directing, MFA in Performance, MFA in Dramatic Writing, and MFA in Interdisciplinary Digital Media as well as the PhD in Theatre for Youth and PhD in Theatre and Performance of the Americas. From 2014-2022, she directed the MFA in Performance program that focuses on devising, actor-creator methodologies, and new work development. 


She received her BA in Theatre (Directing) from Skidmore College, a certificate of completion from Ecole de Jacques Lecoq International School of Physical Theatre in Paris, France, and her MA and PhD in Performance Studies from New York University. 


To see more of her directing, performance, and scholarly work, www.rachelbowditch.com

Vessel Collaborators

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